Winter 2012
S. F. Quinn, Dept. of East Asian Languages and Literatures
Class Number: 26381, TuTh 10:30AM-12:18PM (Journalism Bldg 0375)
GEC Cultures and Ideas, GEC International Issues Non-Western or Global
Kyoto was Japan’s capital from the 8th to the 19th centuries. Today its many surviving monuments–its shrines, its temples, its gardens–continue to play a part in the lives of residents and to bear witness to enduring cultural values. MRS 211 will introduce you to 500 years in the life of the city, from the flourishing of the imperial court as of ca. 900, to the devastation inflicted by battling warrior clans in the fifteenth century. We will also consider ways in which cultural values and images from this time have contributed to a collective sense of Japanese cultural heritage.
Robert Davis, Dept. of History
Class Number: 26383, MoWe 10:30AM-12:18PM (Journalism Bldg 0304)
GEC Cultures and Ideas, GEC International Issues Western, Non-US
Course Description: This course is designed to acquaint you with one of the most peculiar and fascinating cities in the world. We will follow Venice from its earliest beginnings, in a desolate swamp in Italy during the sixth century AD, through its rise to become one of the great world powers by the Middle Ages. We will meet some of the more intriguing explorers, warriors, painters, courtesans, and thinkers that the city has produced, and we will get to know one of the most cosmopolitan communities in all of Renaissance Europe. We will conclude this survey by following Venice into its long decline, as the Venetian Republic lost first its empire and then its independence, emerging finally in our own time as one of the most used – and abused – tourist destinations on the globe.
Course requirements include a half-dozen or so short papers, along with a mid-term and final. Readings: Patricia F. Brown. Art and Life in Renaissance Venice (Prentice Hall, 2005), ISBN-10: 0131344021 ISBN-13: 978-0131344020; Robert Davis & Garry Marvin, Venice, the Tourist Maze (University of California, 2004), ISBN-10: 0520241207, ISBN-13: 978-0520241206; Elizabeth Horodowitch, A Brief History of Venice (Running Press, 2009), ISBN-10: 0762436905 ISBN-13: 978-0762436903
MRS 218 Colonial Mexico: The Medieval and Renaissance Legacy Cancelled
Students, please consider one of our other two GEC courses offered next quarter: Medieval Kyoto and Renaissance Venice.
Leslie Lockett, Dept of English
Class Number: 26386, MoWe 9:30AM-11:18AM (University Hall 0043)
Course Description: This survey of medieval Latin verse forms will provide training in a set of skills that are indispensable to all medievalists. Even if you typically focus on historical prose, the visual arts, or music, it is extremely useful to be able to undertake formal analysis and source study of the poetic texts that you will inevitably encounter in your research.
Readings for this course will include medieval Latin poems representing a wide variety of quantitative and rhythmic verse forms, as well as medieval Latin prose discussions of why and how to compose poetry. We will spend time with the sober dactylic hexameters of the biblical epics, the dazzling variety of the meters of Boethius, the experimental rhythms of Augustine’s Psalm Against the Donatists, the octosyllabic verses of Irish monks, the ridiculous mock-liturgical Song of the Ass, and even word games such as acrostics and palindromes, among many other types of poetry.
While translation will remain a major component of the preparation for each class meeting, you will also practice scansion and other categories of formal analysis, and you will learn to use research tools that facilitate formal analysis and source study, such as the Hexameter-Lexikon and the Library of Latin Texts.
Preparation for each class meeting is extremely important and will include translation, scansion, secondary readings, and other brief assignments in formal analysis and source study. Written work will include two or three brief translation and scansion assignments, a final exam, and a final project consisting of an annotated translation of a verse text. No matter what field of medieval studies your specialty may be, this class will sharpen your skills in close textual analysis and open new avenues of research! You will also come away with a better historical understanding of Latin literacy and education from late antiquity through the late Middle Ages.
Required Books: A medium or large Latin dictionary and a course pack. Additional readings will be posted on Carmen; some of these must be printed and brought to class.
Students with questions please e-mail Dr. Lockett, lockett.20@osu.edu.
Frank T. Coulson, Dept. of Greek and Latin
Cross-listed with CLASSICS 880 Topics in Roman Antiquity
Class Number: 26379, Th 12:30PM-3:18PM (University Hall 448)
Interdisciplinary graduate seminar in palaeography of Gothic script: 1200-1500. Of the multiplicity of book hands which survive in manuscripts, perhaps none was so influential as that referred to as “Gothic.” Yet the script is also fraught with problems: how to account for its genesis in the early thirteenth century out of the legible and clear Caroline minuscule? How to describe the multiplicity of variations in the script (textualis, cursiva, semi-cursiva, hybrida, secretary, bastarda etc.)? How to localize and date regional variations of the script (anglicana, bononiensis, parisiensis)? The publication of Albert Derolez’s The Palaeography of Gothic Manuscript Books has placed the study of the script on a firmer footing. The forthcoming publication of my own Handbook of Latin Palaeography will further serve to incorporate many of the advances made in the last decade.
In this course, students will learn to transcribe, date and localize different types of Gothic script from its genesis around 1225 to the year 1500. We shall examine both textualis and cursive varieties, and we shall look at numerous examples of the script from England, France, Italy and Germany. The final weeks of the course will be taken up with individual research projects selected by the student with a view to publication.
This course should be of great value to all medievalists working in the later Middle Ages. Few universities offer an intensive course in Gothic (in spite of its evident importance)–Toronto does not. Students should leave the course with a relatively secure knowledge of how to date their manuscripts, and an ability to transcribe accurately various types and grades of Gothic. While a previous course in paleography is beneficial, the first class will introduce the background necessary for the seminar. An ability to work with Latin is required.
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